DP RACHEL MORRISON TALKS ABOUT SUNDANCE HIT “FRUITVALE”
Cinematographer Rachel Morrison discusses shooting super 16mm film on the Sundance award-winning indie, “Fruitvale.”
Doug Jones, Associate Director of Programming at The Los Angeles Film Festival, talks delivery formats for indie filmmakers.
For over 17 years, Monkeyland has worked hard to become a leader in the world of audio post production. Our home in Burbank features 5 Mixing Stages, 2 ADR Stages, Foley Stage and full in house editorial. We are conveniently located near most major studios and cutting rooms. Our goal – to provide rich, unique and detailed soundscapes – has remained unchanged throughout the years. With each project, we strive to make our clients’ stay at Monkeyland a comfortable and memorable one.
Contact: Trip Brock at 818.553.0955 or trip@monkeylandaudio.com
You will find all of Monkeyland's blog posts here!
We’re crew, not suits. We work fast and smart and we take pride in our expertise. We know our way around productions and the agreements you will need, whether you’re making a big budget feature or a DIY webisode. Call on us to work with you through the entire process or just to take your picture across the finish line. We’re here to help you realize your project, and we’ll stick around long after craft services has moved on to the next set.
INDIEWORKS is a division of Business Affairs Inc., a California law corporation.
For more information, please contact Bridget Briley at 310.954.0100 or bridget@bizaffairs.com. For a price list of services offered and even more information on INDIEWORKS, please go to www.indieworks.biz.
Prehistoric Digital is a flexible digital boutique helping filmmakers create and refine their visuals. Specializing in Digital Intermediate color correction, PhD was founded by cinematographers interested in combining their backgrounds as visual storytellers with the growing possibilities in post-production technology. Our expanded Santa Monica facility and our file-based workflows are designed from the ground up to exceed the highest industry standards for image quality, monitoring accuracy, speed and comfort while still meeting the budgets of independent film and video projects.
Our backgrounds as filmmakers and storytellers infuse all aspects of the PhD experience. We understand that simply knowing how to use color correction software is not the same as being a great colorist. At PhD, we work as your creative partner to realize the full potential of your images.
For more information, please call us at 310.571.8230, e-mail us at info@prehistoricdigital.com, or visit us at www.prehistoricdigital.com.
Glenn Gaylord is an award-winning Writer/Director/Producer and graduate of the UCLA School of Film and Television. His films include his latest directorial effort I DO, starring Jamie-Lynn Sigler (THE SOPRANOS), LEAVE IT ON THE FLOOR (Writer/Producer/Lyricist), which screened at the Los Angeles Film Festival, Toronto International and Berlinale, and EATING OUT: ALL YOU CAN EAT (Director), a raunchy comedy so successful, it spawned two sequels. He also helmed the shorts LOST CAUSE, BOYCHICK, LITTLE BFFs, the sitcom LEZ BE FRIENDS and a slew of reality television shows and he attributes his love of film to his mother, a writer who would take him to crazily inappropriate grown-up films like TAXI DRIVER and THE EXORCIST at a young age to instill in him the art of great storytelling.
Cinematographer Rachel Morrison discusses shooting super 16mm film on the Sundance award-winning indie, “Fruitvale.”
Cinematographer Michelle Lawler talks about shooting s16mm on the low budget indie film, “Best Friends Forever,” which premiered at Slamdance 2013.
Editor Darrin Navarro talks about his creative process editing the Sundance film, “The Spectacular Now,” and shares words of wisdom for independent filmmakers.
Cinematographer Ben Kasulke talks about his process shooting “Touchy Feely” at Sundance 2013.
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