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	<title>The Post Lab</title>
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	<description>Post Production Solutions for the Independent Filmmaker</description>
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		<title>THE LAST WEEK OF POST: MAX ROSE</title>
		<link>http://thepostlab.com/the-last-week-of-post-max-rose/</link>
		<comments>http://thepostlab.com/the-last-week-of-post-max-rose/#comments</comments>
		<pubDate>Thu, 16 May 2013 13:00:02 +0000</pubDate>
		<dc:creator>Chris J. Russo</dc:creator>
				<category><![CDATA[RUSSO BLOG]]></category>
		<category><![CDATA["Max Rose"]]></category>
		<category><![CDATA[Christopher Blauvelt]]></category>
		<category><![CDATA[Daniel Noah]]></category>
		<category><![CDATA[featured]]></category>
		<category><![CDATA[Jerry Lewis]]></category>
		<category><![CDATA[Post Production Supervising]]></category>

		<guid isPermaLink="false">http://thepostlab.com/?p=2355</guid>
		<description><![CDATA[Post Production Supervisor, Chris J. Russo, talks about the week leading up to delivering the film, "Max Rose" to the Cannes Film Festival.]]></description>
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		<title>ANATOMY OF A GRADE: GETTING THE &#8220;CYAN SWING&#8221;</title>
		<link>http://thepostlab.com/anatomy-of-a-grade-getting-the-cyan-swing/</link>
		<comments>http://thepostlab.com/anatomy-of-a-grade-getting-the-cyan-swing/#comments</comments>
		<pubDate>Fri, 03 May 2013 14:28:16 +0000</pubDate>
		<dc:creator>Prehistoric Digital</dc:creator>
				<category><![CDATA[CINEMATOGRAPHY]]></category>
		<category><![CDATA[COLOR]]></category>
		<category><![CDATA[PREHISTORIC DIGITAL]]></category>
		<category><![CDATA["cyan swing"]]></category>
		<category><![CDATA[Chris Hall colorist]]></category>
		<category><![CDATA[featured]]></category>
		<category><![CDATA[independent film color correct]]></category>
		<category><![CDATA[Prehistoric Digital]]></category>

		<guid isPermaLink="false">http://thepostlab.com/?p=2339</guid>
		<description><![CDATA[Chris Hall, resident colorist at Prehistoric Digital, shows us how he achieves the "cyan swing" look, a trend in color correction.]]></description>
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		<title>5 MINUTES ABOUT VFX WITH LOCKTIX</title>
		<link>http://thepostlab.com/5-minutes-about-vfx-with-locktix/</link>
		<comments>http://thepostlab.com/5-minutes-about-vfx-with-locktix/#comments</comments>
		<pubDate>Mon, 25 Mar 2013 14:03:56 +0000</pubDate>
		<dc:creator>Chris J. Russo</dc:creator>
				<category><![CDATA[INTERVIEWS]]></category>
		<category><![CDATA[VFX]]></category>
		<category><![CDATA[featured]]></category>
		<category><![CDATA[Gresham Lochner]]></category>
		<category><![CDATA[independent film visual effects]]></category>
		<category><![CDATA[Locktix]]></category>
		<category><![CDATA[vfx]]></category>
		<category><![CDATA[VFX tips independent fims]]></category>

		<guid isPermaLink="false">http://thepostlab.com/?p=2319</guid>
		<description><![CDATA[Gresham Lochner of Locktix gives us the inside scoop on working in VFX on independent films.]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>FIX IN IN POST? WTF!? A DIT&#8217;S POINT OF VIEW</title>
		<link>http://thepostlab.com/fix-in-in-post-wtf-a-dits-rant/</link>
		<comments>http://thepostlab.com/fix-in-in-post-wtf-a-dits-rant/#comments</comments>
		<pubDate>Tue, 19 Mar 2013 17:51:38 +0000</pubDate>
		<dc:creator>Von Thomas</dc:creator>
				<category><![CDATA[BLOGS]]></category>
		<category><![CDATA[DIT]]></category>
		<category><![CDATA[VON THOMAS BLOG]]></category>
		<category><![CDATA[blog]]></category>
		<category><![CDATA[fix it in post]]></category>
		<category><![CDATA[Von Thomas]]></category>

		<guid isPermaLink="false">http://thepostlab.com/?p=2289</guid>
		<description><![CDATA[DIT Von Thomas talks about the importance of shooting your image properly at the start, versus fixing it in the end.]]></description>
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		<title>COLOR GRADING FUN&#8217;S MUSIC VIDEO &#8220;WHY AM I THE ONE&#8221;</title>
		<link>http://thepostlab.com/color-grading-on-funs-music-video-why-am-i-the-one/</link>
		<comments>http://thepostlab.com/color-grading-on-funs-music-video-why-am-i-the-one/#comments</comments>
		<pubDate>Thu, 14 Mar 2013 13:00:22 +0000</pubDate>
		<dc:creator>Prehistoric Digital</dc:creator>
				<category><![CDATA[CINEMATOGRAPHY]]></category>
		<category><![CDATA[COLOR]]></category>
		<category><![CDATA[PREHISTORIC DIGITAL]]></category>
		<category><![CDATA[RED]]></category>
		<category><![CDATA["Why Am I The One" music video]]></category>
		<category><![CDATA[Andrew Wheeler]]></category>
		<category><![CDATA[Fun.]]></category>
		<category><![CDATA[Jordan Bahat]]></category>
		<category><![CDATA[Kevin Cannon]]></category>
		<category><![CDATA[post production music videos]]></category>
		<category><![CDATA[Prehistoric Digital]]></category>

		<guid isPermaLink="false">http://thepostlab.com/?p=2263</guid>
		<description><![CDATA[A glimpse into post production on Fun's music video "Why Am I the One".]]></description>
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		<slash:comments>0</slash:comments>
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		<item>
		<title>DP RACHEL MORRISON TALKS ABOUT SUNDANCE HIT &#8220;FRUITVALE&#8221;</title>
		<link>http://thepostlab.com/dp-rachel-morrison-talks-about-shooting-the-sundance-hit-fruitvale/</link>
		<comments>http://thepostlab.com/dp-rachel-morrison-talks-about-shooting-the-sundance-hit-fruitvale/#comments</comments>
		<pubDate>Tue, 12 Mar 2013 15:22:45 +0000</pubDate>
		<dc:creator>Chris J. Russo</dc:creator>
				<category><![CDATA[16mm]]></category>
		<category><![CDATA[CINEMATOGRAPHY]]></category>
		<category><![CDATA[INTERVIEWS]]></category>
		<category><![CDATA[PARK CITY 2013]]></category>
		<category><![CDATA["Fruitvale"]]></category>
		<category><![CDATA[featured]]></category>
		<category><![CDATA[indie film s16mm]]></category>
		<category><![CDATA[Rachel Morrison cinematographer]]></category>
		<category><![CDATA[Ryan Coogler]]></category>
		<category><![CDATA[s16mm]]></category>
		<category><![CDATA[shooting super 16mm]]></category>
		<category><![CDATA[Sundance 2013]]></category>

		<guid isPermaLink="false">http://thepostlab.com/?p=2230</guid>
		<description><![CDATA[Cinematographer Rachel Morrison discusses shooting super 16mm film on the Sundance award-winning indie, "Fruitvale."]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>THE OSCARS, SOUND, AND FLOWING BLONDE HAIR</title>
		<link>http://thepostlab.com/the-oscars-sound-and-flowing-blonde-hair/</link>
		<comments>http://thepostlab.com/the-oscars-sound-and-flowing-blonde-hair/#comments</comments>
		<pubDate>Mon, 04 Mar 2013 15:24:11 +0000</pubDate>
		<dc:creator>Peter Lago</dc:creator>
				<category><![CDATA[BLOGS]]></category>
		<category><![CDATA[MONKEYLAND AUDIO]]></category>
		<category><![CDATA[SOUND]]></category>
		<category><![CDATA[uncategorized]]></category>
		<category><![CDATA[Monkeyland Audio Post Production]]></category>
		<category><![CDATA[Oscar awards sound]]></category>
		<category><![CDATA[Oscar sound]]></category>
		<category><![CDATA[sound editing vs. sound mixing]]></category>

		<guid isPermaLink="false">http://thepostlab.com/?p=2215</guid>
		<description><![CDATA[Confused about the Oscars Awards for sound? Peter Lago explains the difference between sound editing vs. sound mixing and what voters are actually voting for. ]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>INDIE DP MICHELLE LAWLER ON SHOOTING &#8220;BEST FRIENDS FOREVER&#8221;</title>
		<link>http://thepostlab.com/dp-michelle-lawler-on-best-friends-forever/</link>
		<comments>http://thepostlab.com/dp-michelle-lawler-on-best-friends-forever/#comments</comments>
		<pubDate>Mon, 25 Feb 2013 14:00:25 +0000</pubDate>
		<dc:creator>Chris J. Russo</dc:creator>
				<category><![CDATA[16mm]]></category>
		<category><![CDATA[CAMERA]]></category>
		<category><![CDATA[INTERVIEWS]]></category>
		<category><![CDATA[PARK CITY 2013]]></category>
		<category><![CDATA["Best Friends Forever"]]></category>
		<category><![CDATA[featured]]></category>
		<category><![CDATA[independent feature film]]></category>
		<category><![CDATA[Michelle Lawler]]></category>
		<category><![CDATA[shooting s16mm film]]></category>
		<category><![CDATA[Slamdance]]></category>

		<guid isPermaLink="false">http://thepostlab.com/?p=2183</guid>
		<description><![CDATA[Cinematographer Michelle Lawler talks about shooting s16mm on the low budget indie film, "Best Friends Forever," which premiered at Slamdance 2013. ]]></description>
		<wfw:commentRss>http://thepostlab.com/dp-michelle-lawler-on-best-friends-forever/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>EDITOR DARRIN NAVARRO ON &#8220;THE SPECTACULAR NOW&#8221;</title>
		<link>http://thepostlab.com/editor-darrin-navarro/</link>
		<comments>http://thepostlab.com/editor-darrin-navarro/#comments</comments>
		<pubDate>Mon, 11 Feb 2013 14:30:12 +0000</pubDate>
		<dc:creator>Chris J. Russo</dc:creator>
				<category><![CDATA[EDITING]]></category>
		<category><![CDATA[INTERVIEWS]]></category>
		<category><![CDATA[PARK CITY 2013]]></category>
		<category><![CDATA["The Spectacular Now"]]></category>
		<category><![CDATA[Darrin Navarro]]></category>
		<category><![CDATA[independent film editors]]></category>
		<category><![CDATA[James Ponsoldt]]></category>
		<category><![CDATA[Sundance 2013]]></category>
		<category><![CDATA[Sundance Film Festival]]></category>

		<guid isPermaLink="false">http://thepostlab.com/?p=2124</guid>
		<description><![CDATA[Editor Darrin Navarro talks about his creative process editing the Sundance film, "The Spectacular Now," and shares words of wisdom for independent filmmakers.]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>MAN VS. TIME: THE SOUNDSCAPE FOR &#8220;HOURS&#8221;</title>
		<link>http://thepostlab.com/man-vs-time-the-soundscape-for-hours/</link>
		<comments>http://thepostlab.com/man-vs-time-the-soundscape-for-hours/#comments</comments>
		<pubDate>Fri, 08 Feb 2013 18:06:35 +0000</pubDate>
		<dc:creator>Peter Lago</dc:creator>
				<category><![CDATA[MONKEYLAND AUDIO]]></category>
		<category><![CDATA[SOUND]]></category>
		<category><![CDATA["Hours"]]></category>
		<category><![CDATA[Monkeyland Audio Post Production]]></category>
		<category><![CDATA[SXSW 2013 festival]]></category>

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		<description><![CDATA[Sound designer Peter Lago takes us behind the scenes of the SXSW film, "Hours".]]></description>
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