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MAKING THE INDIE FEATURE “FOUR DOGS”

MAKING THE INDIE FEATURE “FOUR DOGS”

Director Joe Burke and DP Todd Banhazi discuss the making of the indie feature, “Four Dogs” currently screening @ LAFF.

| 06/19/2013 | 1 Comments
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ANATOMY OF A GRADE: GETTING THE “CYAN SWING”

ANATOMY OF A GRADE: GETTING THE “CYAN SWING”

Chris Hall, resident colorist at Prehistoric Digital, shows us how he achieves the “cyan swing” look, a trend in color correction.

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COLOR GRADING FUN’S MUSIC VIDEO “WHY AM I THE ONE”

COLOR GRADING FUN’S MUSIC VIDEO “WHY AM I THE ONE”

A glimpse into post production on Fun’s music video “Why Am I the One”.

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PITCH PERFECT TAKES ADVANTAGE OF A DCI-P3 COLOR WORKFLOW

PITCH PERFECT TAKES ADVANTAGE OF A DCI-P3 COLOR WORKFLOW

Local Hero Post talks digital colorspace and finishing the indie feature, “Pitch Perfect” using a P3 workflow.

| 12/04/2012 | 6 Comments
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CREATING A 70’s VIBE WITH DIGITAL TOOLS FOR TRAVIS FINE’S “ANY DAY NOW”

CREATING A 70’s VIBE WITH DIGITAL TOOLS FOR TRAVIS FINE’S “ANY DAY NOW”

Local Hero explains how they achieved the grainy-film vibe look in the DI on the indie feature “Any Day Now,” shot on the Red.

| 11/19/2012 | 0 Comments
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FROM SET TO EDITORIAL: HOW TECHNOLOGY IS MOVING US FORWARD

FROM SET TO EDITORIAL: HOW TECHNOLOGY IS MOVING US FORWARD

Createasphere’s Post Production Master Class this year included, “From Set to Editorial,” viewpoints from esteemed industry professionals on how technological advancements are affecting the creative process and standardizing workflows.

| 11/12/2012 | 0 Comments
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UNDERSTANDING CANON LOG SEMINAR

UNDERSTANDING CANON LOG SEMINAR

A brief overview of the seminar “Understanding Canon Log,” and the benefits of this new camera mode.

| 08/24/2012 | 0 Comments
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