CINEMATOGRAPHY

INTRO TO WORKFLOW: CARRYING YOUR BABY FROM SET TO SCREEN

INTRO TO WORKFLOW: CARRYING YOUR BABY FROM SET TO SCREEN

Cinematographer Colton Davie’s instructional blog on the basics of workflow and planning ahead when shooting your feature film.

| 11/06/2013 | 0 Comments
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HISTORY OF ASPECT RATIOS

HISTORY OF ASPECT RATIOS

Confused about aspect ratios? Check out this fun and insightful history lesson about the evolution of the shape of cinema from Filmmaker IQ.

| 07/01/2013 | 0 Comments
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MAKING THE INDIE FEATURE “FOUR DOGS”

MAKING THE INDIE FEATURE “FOUR DOGS”

Director Joe Burke and DP Todd Banhazi discuss the making of the indie feature, “Four Dogs” currently screening @ LAFF.

| 06/19/2013 | 1 Comments
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ANATOMY OF A GRADE: GETTING THE “CYAN SWING”

ANATOMY OF A GRADE: GETTING THE “CYAN SWING”

Chris Hall, resident colorist at Prehistoric Digital, shows us how he achieves the “cyan swing” look, a trend in color correction.

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COLOR GRADING FUN’S MUSIC VIDEO “WHY AM I THE ONE”

COLOR GRADING FUN’S MUSIC VIDEO “WHY AM I THE ONE”

A glimpse into post production on Fun’s music video “Why Am I the One”.

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DP RACHEL MORRISON TALKS ABOUT SUNDANCE HIT “FRUITVALE”

DP RACHEL MORRISON TALKS ABOUT SUNDANCE HIT “FRUITVALE”

Cinematographer Rachel Morrison discusses shooting super 16mm film on the Sundance award-winning indie, “Fruitvale.”

| 03/12/2013 | 1 Comments
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SUNDANCE ’13: “TOUCHY FEELY” WITH DP BEN KASULKE

SUNDANCE ’13: “TOUCHY FEELY” WITH DP BEN KASULKE

Cinematographer Ben Kasulke talks about his process shooting “Touchy Feely” at Sundance 2013.

| 01/25/2013 | 0 Comments
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SUNDANCE ’13: “KILL YOUR DARLINGS” WITH DP REED MORANO

SUNDANCE ’13: “KILL YOUR DARLINGS” WITH DP REED MORANO

Cinematographer Reed Morano talks about her work on the highly anticipated Sundance film, “Kill Your Darlings.”

| 01/19/2013 | 0 Comments
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CREATING A 70’s VIBE WITH DIGITAL TOOLS FOR TRAVIS FINE’S “ANY DAY NOW”

CREATING A 70’s VIBE WITH DIGITAL TOOLS FOR TRAVIS FINE’S “ANY DAY NOW”

Local Hero explains how they achieved the grainy-film vibe look in the DI on the indie feature “Any Day Now,” shot on the Red.

| 11/19/2012 | 0 Comments
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“SHUT UP AND PLAY THE HITS” ON THE ALEXA

“SHUT UP AND PLAY THE HITS” ON THE ALEXA

Behind the scenes of shooting “Shut Up and Play the Hits,” with directors Dylan Southern and Will Lovelace and cinematographer Reed Morano.

| 09/24/2012 | 0 Comments
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