Post Production Supervisor, Chris J. Russo, talks about the week leading up to delivering the film, “Max Rose” to the Cannes Film Festival.
DIT Von Thomas talks about the importance of shooting your image properly at the start, versus fixing it in the end.
Confused about the Oscars Awards for sound? Peter Lago explains the difference between sound editing vs. sound mixing and what voters are actually voting for.
An image. A great line of dialogue. A perfect edit. A scene. A shot. Filmmaker and critic, Glenn Gaylord’s list of what made an impact in film in 2012.
Events, camera releases and general musings on what happened last year in post production and what to consider moving forward.
- Film Rating -
Stunning production and overpowering emotions almost make up for a threadbare story in this true survival story set during the 2004 Tsunami.
Gus Van Sant doesn’t quite put his stamp on this honest, relevant, nicely-acted yet slightly preachy film about the economic dilemmas facing our heartland.
A fish-eyed, bombastic, over-acted mess, LES MISERABLES disappoints in ways that challenge the very nature of musicals.
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This Sundance Award Winner elicits laughter and wrings tears with its smart script and fantastic performances, making it one of the best films of the year.
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