THE LAST WEEK OF POST: MAX ROSE
Post Production Supervisor, Chris J. Russo, talks about the week leading up to delivering the film, “Max Rose” to the Cannes Film Festival.
ANATOMY OF A GRADE: GETTING THE “CYAN SWING”
Chris Hall, resident colorist at Prehistoric Digital, shows us how he achieves the “cyan swing” look, a trend in color correction.
5 MINUTES ABOUT VFX WITH LOCKTIX
Gresham Lochner of Locktix gives us the inside scoop on working in VFX on independent films.
FIX IN IN POST? WTF!? A DIT’S POINT OF VIEW
DIT Von Thomas talks about the importance of shooting your image properly at the start, versus fixing it in the end.
COLOR GRADING FUN’S MUSIC VIDEO “WHY AM I THE ONE”
A glimpse into post production on Fun’s music video “Why Am I the One”.
DP RACHEL MORRISON TALKS ABOUT SUNDANCE HIT “FRUITVALE”
Cinematographer Rachel Morrison discusses shooting super 16mm film on the Sundance award-winning indie, “Fruitvale.”
THE OSCARS, SOUND, AND FLOWING BLONDE HAIR
Confused about the Oscars Awards for sound? Peter Lago explains the difference between sound editing vs. sound mixing and what voters are actually voting for.
INDIE DP MICHELLE LAWLER ON SHOOTING “BEST FRIENDS FOREVER”
Cinematographer Michelle Lawler talks about shooting s16mm on the low budget indie film, “Best Friends Forever,” which premiered at Slamdance 2013.
EDITOR DARRIN NAVARRO ON “THE SPECTACULAR NOW”
Editor Darrin Navarro talks about his creative process editing the Sundance film, “The Spectacular Now,” and shares words of wisdom for independent filmmakers.
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