FIX IN IN POST? WTF!? A DIT’S POINT OF VIEW
DIT Von Thomas talks about the importance of shooting your image properly at the start, versus fixing it in the end.
COLOR GRADING FUN’S MUSIC VIDEO “WHY AM I THE ONE”
A glimpse into post production on Fun’s music video “Why Am I the One”.
THE OSCARS, SOUND, AND FLOWING BLONDE HAIR
Confused about the Oscars Awards for sound? Peter Lago explains the difference between sound editing vs. sound mixing and what voters are actually voting for.
INDIE DP MICHELLE LAWLER ON SHOOTING “BEST FRIENDS FOREVER”
Cinematographer Michelle Lawler talks about shooting s16mm on the low budget indie film, “Best Friends Forever,” which premiered at Slamdance 2013.
EDITOR DARRIN NAVARRO ON “THE SPECTACULAR NOW”
Editor Darrin Navarro talks about his creative process editing the Sundance film, “The Spectacular Now,” and shares words of wisdom for independent filmmakers.
MAN VS. TIME: THE SOUNDSCAPE FOR “HOURS”
Sound designer Peter Lago takes us behind the scenes of the SXSW film, “Hours”.
SUNDANCE ’13: “TOUCHY FEELY” WITH DP BEN KASULKE
Cinematographer Ben Kasulke talks about his process shooting “Touchy Feely” at Sundance 2013.
“MANHUNT”: THE MAD DASH TO SUNDANCE ’13
Sound Designer, Peter Lago talks about the rush to get MANHUNT out of the sound studio to Sundance 2013.
SUNDANCE ’13 PANEL: 4K AND BEYOND
A panel of industry experts at Sundance talk about the move to 4K acquisition and delivery and beyond.
CONNECT